A couple of months ago when I started this project, I weighed the pile of rough boards that I thought I needed to make the nightstand, with the idea that I would then weigh the completed project to see how much of the original wood was left.
The original pile weighed about 61 pounds. The finished table weighs 29. So there you go. About half of my mahogany went AWOL. In the end, I had a couple of small offcuts that might be useful for something someday, but the bulk of the missing material wound up as sawdust and kindling for the barbeque.
Showing posts with label Aurora Nightstand. Show all posts
Showing posts with label Aurora Nightstand. Show all posts
Tuesday, August 16, 2011
Friday, August 5, 2011
Aurora Nightstand - Done!
With the drawer hung and the top and shelf mounted, this thing is done! Big thanks go to Darrell Peart for such a beautiful design. These pictures can do the rest of the talking:
Monday, August 1, 2011
Aurora Nightstand - Glue-Up
At last! Today was glue-up day. I started by gluing together the right and left sides as separate assemblies, but somehow failed to get any pictures of that. Here's the much more interesting final assembly, wherein many clamps were employed:
Even with the pads under the clamps, they messed up the finish a little bit. So one more coat of polyurethane is in order once I'm completely done with the remaining details like hanging the drawer and installing the shelf and the top.
Even with the pads under the clamps, they messed up the finish a little bit. So one more coat of polyurethane is in order once I'm completely done with the remaining details like hanging the drawer and installing the shelf and the top.
Friday, July 29, 2011
Aurora Nightstand - Prefinishing
I applied stain (actually water-based dye) to all the parts last night, and the first few coats of wipe-on polyurethane today. More of the same to follow over the next couple of days. Then it will be time to glue this sucker together. Can't wait!
Wednesday, July 27, 2011
Aurora Nightstand - Ebony Plugs, Part II
I think today I must have set a new personal record for the most time spent per board foot of lumber processed. That's because I was finishing up the rest of the little ebony plugs that go on the nightstand legs. They're tiny, and making them was kind of tedious.
Instead of pounding them into the mahogany with a mallet like I was doing before, today I tried squeezing them in with a clamp. That worked much better. As long as they were in the hole straight to start with, the clamp made it very easy to push them in and to stop when they were at just the right depth.
Instead of pounding them into the mahogany with a mallet like I was doing before, today I tried squeezing them in with a clamp. That worked much better. As long as they were in the hole straight to start with, the clamp made it very easy to push them in and to stop when they were at just the right depth.
Tuesday, July 26, 2011
Aurora Nightstand - Ebony Plugs, Part I
Today I finished up the rest of the ebony doodads on the top, then started on the plugs that go on the legs and the front of the drawer. Making the little plugs was easy enough, but I found it tricky to get them tapped into the holes at just the right depth. In fact, a couple of them were bad enough (too deep) that I removed them with a drill and a chisel and started over.
I'm wondering if squeezing the plugs into their mortises with a small clamp might be a more controlled process than trying to pound them in with a hammer. I think I'll try that on the next batch. With a total of 24 plugs in the legs and two more in the drawer front, there's no shortage of opportunity to practice.
I'm wondering if squeezing the plugs into their mortises with a small clamp might be a more controlled process than trying to pound them in with a hammer. I think I'll try that on the next batch. With a total of 24 plugs in the legs and two more in the drawer front, there's no shortage of opportunity to practice.
Sunday, July 24, 2011
Aurora Nightstand - The Ebony Arrives
Hooray! The ebony finally arrived yesterday, and I had some time over the weekend to jump in and make the decorative splines for the nightstand top. The pictures show one of them. As luck would have it, the other three look about the same.
The ebony came in six pieces, each about an inch and a half square and about ten inches long. It was rough cut and covered with wax.
To make the splines, I used the jointer to get two edges on one of the ebony blocks flat and perpendicular to each other. Then I used the bandsaw to slice off a couple of 3/8 x 1-1/2 inch slabs, which I then cut down the middle to make the blanks for the four splines. Next, I routed the profile using the little jig I made the other day. Then I rounded off all the corners with files and sandpaper. I sanded the splines to 600 grit and then polished them up using white rouge (is that an oxymoron?) on a buffing wheel.
The ebony behaved itself with the jointer, the bandsaw, and the router. I got some tearout, though, when I tried to remove the bandsaw marks with a vintage Stanley 60-1/2 block plane. I'm guessing that a higher bevel angle on the plane iron would work better with the ebony. But at the moment I didn't want to get sidetracked into investigating that, so I switched to a disk sander for smoothing out the bandsaw cuts and adjusting the fit of the splines into their respective slots.
I'm starting to see how some people come to own a jillion hand planes. Not that it could ever happen to me.
The ebony came in six pieces, each about an inch and a half square and about ten inches long. It was rough cut and covered with wax.
To make the splines, I used the jointer to get two edges on one of the ebony blocks flat and perpendicular to each other. Then I used the bandsaw to slice off a couple of 3/8 x 1-1/2 inch slabs, which I then cut down the middle to make the blanks for the four splines. Next, I routed the profile using the little jig I made the other day. Then I rounded off all the corners with files and sandpaper. I sanded the splines to 600 grit and then polished them up using white rouge (is that an oxymoron?) on a buffing wheel.
The ebony behaved itself with the jointer, the bandsaw, and the router. I got some tearout, though, when I tried to remove the bandsaw marks with a vintage Stanley 60-1/2 block plane. I'm guessing that a higher bevel angle on the plane iron would work better with the ebony. But at the moment I didn't want to get sidetracked into investigating that, so I switched to a disk sander for smoothing out the bandsaw cuts and adjusting the fit of the splines into their respective slots.
I'm starting to see how some people come to own a jillion hand planes. Not that it could ever happen to me.
Thursday, July 21, 2011
Aurora Nightstand - Finishing Tests
Still no ebony. But today the shipment finally showed up in the USPS tracking system, so there's hope. I guess the eBay seller I bought it from was just a little poky in getting to the post office.
I really don't want to louse things up when it comes time to apply the finish on this thing, so I sanded up a few test boards for practice. For the stain, I used the mixture of General Finishes water based dyes recommended by Darrell in his article--seven parts orange and four parts medium brown. I put one coat of this dye mixture on half of each test board, and two coats on the other half. Then I wiped on five or six coats of thinned polyurethane according to the recipe in the Wood Whisperer's A Simple Varnish Finish DVD. Here are the results:
It's easy to see that the lightest board (the narrow one) needed the second coat of dye, but that two coats was too much on the darkest board. So the plan at this point is to apply one coat of dye to all the parts, and then put a second coat on the lighter ones only. I think this will give the best color match among the parts without going overbaord and making them all too dark.
I really don't want to louse things up when it comes time to apply the finish on this thing, so I sanded up a few test boards for practice. For the stain, I used the mixture of General Finishes water based dyes recommended by Darrell in his article--seven parts orange and four parts medium brown. I put one coat of this dye mixture on half of each test board, and two coats on the other half. Then I wiped on five or six coats of thinned polyurethane according to the recipe in the Wood Whisperer's A Simple Varnish Finish DVD. Here are the results:
It's easy to see that the lightest board (the narrow one) needed the second coat of dye, but that two coats was too much on the darkest board. So the plan at this point is to apply one coat of dye to all the parts, and then put a second coat on the lighter ones only. I think this will give the best color match among the parts without going overbaord and making them all too dark.
Sunday, July 17, 2011
Aurora Nightstand - Yet Another Router Jig
Still no ebony.
When it finally shows up, I figure I'll want to make the biggest ebony pieces first. That way, if I mess them up, I may be able to make some of the smaller parts out of the ruined material.
So the biggest ebony parts are the decorative splines in the table top. Darrell's article suggests forming these by gluing the blank into the slot in the top, routing the profile in two steps with a flush bit and a couple of oversized bearings, and then rounding the corners over by hand with sandpaper to get the pillowing effect.
Yikes! I don't like that idea at all, for lots of reasons:
So I tried it. The picture shows the jig, which clamps the part securely against a template with the required profile. After temporarily clamping the blank into the jig, I marked the curve on the blank and then cut away most of the waste using the bandsaw. Then I remounted the blank in the jig and routed the profile in one pass.
The picture also shows the result of the first test. The jig worked perfectly, but I didn't do the best job of getting the pillowing even, especially where the spline makes the little jog between the top and the breadboard end. I think I'll make another little scraper tool to help with that.
For the record, the test spline is made of ebonized mesquite, which means that I smeared some india ink on it, followed by a coat of gloss polyurethane.
When it finally shows up, I figure I'll want to make the biggest ebony pieces first. That way, if I mess them up, I may be able to make some of the smaller parts out of the ruined material.
So the biggest ebony parts are the decorative splines in the table top. Darrell's article suggests forming these by gluing the blank into the slot in the top, routing the profile in two steps with a flush bit and a couple of oversized bearings, and then rounding the corners over by hand with sandpaper to get the pillowing effect.
Yikes! I don't like that idea at all, for lots of reasons:
- I don't have the necessary oversized bearings.
- With the splines glued in the slot in the top, I can't see how I would ever be able to round over their corners without marring the top itself.
- There'd be no way to polish the splines on a buffing wheel.
- If I messed something up, it might be really difficult to remove the glued-in spline without messing up the top in the process.
So I tried it. The picture shows the jig, which clamps the part securely against a template with the required profile. After temporarily clamping the blank into the jig, I marked the curve on the blank and then cut away most of the waste using the bandsaw. Then I remounted the blank in the jig and routed the profile in one pass.
The picture also shows the result of the first test. The jig worked perfectly, but I didn't do the best job of getting the pillowing even, especially where the spline makes the little jog between the top and the breadboard end. I think I'll make another little scraper tool to help with that.
For the record, the test spline is made of ebonized mesquite, which means that I smeared some india ink on it, followed by a coat of gloss polyurethane.
Saturday, July 16, 2011
Aurora Nightstand - Completing the Drawer
Still no ebony.
But the drawer is almost done. About a year ago, Garrett Hack had an article in Fine Woodworking #213 about using solid wood instead of plywood for drawer bottoms. I had a little bit of poplar left over from a previous project, so I decided to try Garrett's ideas on the nightstand drawer. It was a little more work than just cutting out a chunk of plywood, but I really like the result.
I made another big departure from Darrell's plans by using some bamboo chopsticks instead of birch dowels to pin the big finger joints in the front of the drawer. I know, I know. I'm a wild man.
But the drawer is almost done. About a year ago, Garrett Hack had an article in Fine Woodworking #213 about using solid wood instead of plywood for drawer bottoms. I had a little bit of poplar left over from a previous project, so I decided to try Garrett's ideas on the nightstand drawer. It was a little more work than just cutting out a chunk of plywood, but I really like the result.
I made another big departure from Darrell's plans by using some bamboo chopsticks instead of birch dowels to pin the big finger joints in the front of the drawer. I know, I know. I'm a wild man.
Friday, July 15, 2011
Aurora Nightstand - Oops #2
Oops. Yesterday I grabbed the shelf panel that I had carefully flattened a few days ago, and found that it had suddenly developed a really nasty cup. This was kind of a surprise to me. The wood had been stickered since I milled it about a month ago, and hadn't shown any signs of movement during that time.
Here's what I think happened: After flattening the panel, I put it up out of the way, lying flat on top of a sheet of plywood. Soon after that, the ambient humidity took a rather abrupt nosedive. So I'm thinking that the top surface of the panel, which was exposed to the hot, newly-dry air in my garage started to lose moisture. Meanwhile, the bottom surface couldn't dry out as fast because it was against the plywood. The direction of the cup was consistent with this fine theory.
The panel is now undergoing a three-step recovery program. (From what I hear, the twelve-step programs take a long time and involve lots of meetings. Nuts to that.) First, I set the panel up on some sticks so that air can circulate freely all around it. Then I dampened the concave side in the hope that it would reabsorb some of the moisture that it had presumably lost. That actually helped a lot. Finally, I applied some friendly persuasion in order to discourage further movement as the moisture content stabilizes.
I guess time will tell if this plan works or if I need to make a new shelf one of these days.
Here's what I think happened: After flattening the panel, I put it up out of the way, lying flat on top of a sheet of plywood. Soon after that, the ambient humidity took a rather abrupt nosedive. So I'm thinking that the top surface of the panel, which was exposed to the hot, newly-dry air in my garage started to lose moisture. Meanwhile, the bottom surface couldn't dry out as fast because it was against the plywood. The direction of the cup was consistent with this fine theory.
The panel is now undergoing a three-step recovery program. (From what I hear, the twelve-step programs take a long time and involve lots of meetings. Nuts to that.) First, I set the panel up on some sticks so that air can circulate freely all around it. Then I dampened the concave side in the hope that it would reabsorb some of the moisture that it had presumably lost. That actually helped a lot. Finally, I applied some friendly persuasion in order to discourage further movement as the moisture content stabilizes.
I guess time will tell if this plan works or if I need to make a new shelf one of these days.
Tuesday, July 12, 2011
Aurora Nightstand - Archery, Part III
I originally thought that I would apply the finish to the main part of the nightstand, assemble it, and then build the drawer to fit. But I found myself waiting on the material for all the little ebony doodads, so I decided to go ahead with the drawer after all. The only critical step was making the drawer front fit properly within its opening, and I figured I could easily get the actual size of the opening by just dry clamping a few of the parts together.
The goal was to make the drawer front fit within the opening, with a 1/16" gap all the way around. I started by cutting the part about 1/4" too wide, and 1/8" shorter than the width of the opening. Then I cut the "ears" on the ends that mate with notches in the sides to form the giant finger joints in the front of the drawer. Then, using the ears as a reference, I aligned the part with the router jig I had made earlier and cut the bottom curve. Finally, I shimmed the part in the proper position within the opening, marked where the top edge needed to be, and trimmed it to its final width.
The next step was to complete the finger joints by cutting the rabbets and notches in the drawer sides. I did most of this on the table saw, with just a little bit of chisel work to make everything fit right.
The goal was to make the drawer front fit within the opening, with a 1/16" gap all the way around. I started by cutting the part about 1/4" too wide, and 1/8" shorter than the width of the opening. Then I cut the "ears" on the ends that mate with notches in the sides to form the giant finger joints in the front of the drawer. Then, using the ears as a reference, I aligned the part with the router jig I had made earlier and cut the bottom curve. Finally, I shimmed the part in the proper position within the opening, marked where the top edge needed to be, and trimmed it to its final width.
The next step was to complete the finger joints by cutting the rabbets and notches in the drawer sides. I did most of this on the table saw, with just a little bit of chisel work to make everything fit right.
Sunday, July 10, 2011
Aurora Nightstand - Some Loose Ends
With the shelf and top panels all glued up and flat, I figured I'd better take care of a number of pesky details that I had been neglecting. The first was to cut some little notches in the corners of the shelf to clear the legs. Darrell doesn't talk about these in his article, but they're definitely necessary.
Next, I chopped a few more mortises for the decorative plugs in the breadboard ends of the top. Once again, I did these by hand because they're relatively small and they need to have square ends. Besides, all this practice might come in handy someday if I ever need to cut a bunch of mortises by hand.
I did finally drag out my horizontal router table to cut the slots for the splines that align the breadboard ends with the top panel.
After attaching the breadboard ends to the top panel, I also used the horizontal router table to cut the long slots for the decorative spline details on the front and rear edges of the top. The horizontal router table wasn't really big enough to support the top panel, so I set up a temporary outrigger arrangement that made everything nice and stable.
You gotta love them C-clamps.
Next, I chopped a few more mortises for the decorative plugs in the breadboard ends of the top. Once again, I did these by hand because they're relatively small and they need to have square ends. Besides, all this practice might come in handy someday if I ever need to cut a bunch of mortises by hand.
I did finally drag out my horizontal router table to cut the slots for the splines that align the breadboard ends with the top panel.
After attaching the breadboard ends to the top panel, I also used the horizontal router table to cut the long slots for the decorative spline details on the front and rear edges of the top. The horizontal router table wasn't really big enough to support the top panel, so I set up a temporary outrigger arrangement that made everything nice and stable.
You gotta love them C-clamps.
Wednesday, July 6, 2011
Aurora Nightstand - Gluing Up the Shelf and Top
I guess I've always used sheet goods in the past when I needed a wide board, because other than the tongue and groove panels for these rustic cabinets, I don't ever remember edge gluing a bunch of boards together. Likewise, I can't say I've ever tried to flatten a board that's wider than my planer. So making the shelf and the top for the nightstand was a bit of a minor adventure for me.
Gluing up the panels was easy enough. I had a big thick chunk of particle board that provided a good reference surface for the glue up. I loosely clamped the boards to the particle board to keep them aligned and flat. then used a few bar clamps to close up the joints. That worked great. Just like in the movies.
Flattening the panels turned out to be more of a good news, bad news story. To wit:
Good News: I had a shiny new Veritas low-angle jack plane in the drawer that I'm sure I heard calling, "Use me, use me! I can do it. I know I can."
Bad News: The very first swipe of the shiny new Veritas low-angle jack plane tore a big chunk out of the edge of the shelf panel. Actually, I sort of expected this. The blade that came with the plane is ground at 25 degrees, which is supposed to be more suited for end grain work and well behaved wood. But this mahogany has all kinds of swirly, interlocked grain that's anything but well behaved. Hence the nasty tear-out.
Good News: Several days earlier, I had ordered the optional high-angle blades for the shiny new Veritas low-angle jack plane, expecting the blade with the 50 degree bevel, as promised by Veritas, "to eliminate tear-out on even the most difficult grain patterns." So rather than completely destroy the shelf panel, I decided to psotpone the second and subsequent swipes until the new blades arrived.
More Good News: Sure enough, the 50 degree blade did the trick. After a bit of fiddling around, I had it taking the proverbial wispy shavings from the mahogany, without even a hint of tear-out. I managed to get one side of the shelf smooth and flat. The other side is also beautifully smooth, but not nearly as flat as the first. For this reason, the second side will be known forever hereafter as "the bottom".
Gluing up the panels was easy enough. I had a big thick chunk of particle board that provided a good reference surface for the glue up. I loosely clamped the boards to the particle board to keep them aligned and flat. then used a few bar clamps to close up the joints. That worked great. Just like in the movies.
Flattening the panels turned out to be more of a good news, bad news story. To wit:
Good News: I had a shiny new Veritas low-angle jack plane in the drawer that I'm sure I heard calling, "Use me, use me! I can do it. I know I can."
Bad News: The very first swipe of the shiny new Veritas low-angle jack plane tore a big chunk out of the edge of the shelf panel. Actually, I sort of expected this. The blade that came with the plane is ground at 25 degrees, which is supposed to be more suited for end grain work and well behaved wood. But this mahogany has all kinds of swirly, interlocked grain that's anything but well behaved. Hence the nasty tear-out.
Good News: Several days earlier, I had ordered the optional high-angle blades for the shiny new Veritas low-angle jack plane, expecting the blade with the 50 degree bevel, as promised by Veritas, "to eliminate tear-out on even the most difficult grain patterns." So rather than completely destroy the shelf panel, I decided to psotpone the second and subsequent swipes until the new blades arrived.
More Good News: Sure enough, the 50 degree blade did the trick. After a bit of fiddling around, I had it taking the proverbial wispy shavings from the mahogany, without even a hint of tear-out. I managed to get one side of the shelf smooth and flat. The other side is also beautifully smooth, but not nearly as flat as the first. For this reason, the second side will be known forever hereafter as "the bottom".
Monday, July 4, 2011
Aurora Nightstand - Archery, Part II
Here's a shot of another dry fit, after routing the arches on the bottoms of the aprons, rounding over all the exposed edges, and lots of fussing, fiddling, and sanding.
According to Darrell's article, the next step is to glue up the base. It seems to me, though, that it would be a lot easier to apply the finish before assembly, so I'm going to make the rest of the parts, then finish them, and then put everything together.
I radiused the corners on most of the parts using a roundover bit in the router table. But that wouldn't work on the inside corners of the legs where the waterfall profiles intersect, because there's nothing there for the router bit bearing to ride against. So I had to do that part by hand. To help keep everything uniform, I made this little tool out of a scrap of sheet metal, then formed the roundovers by scraping away at the corners of the legs.
According to Darrell's article, the next step is to glue up the base. It seems to me, though, that it would be a lot easier to apply the finish before assembly, so I'm going to make the rest of the parts, then finish them, and then put everything together.
I radiused the corners on most of the parts using a roundover bit in the router table. But that wouldn't work on the inside corners of the legs where the waterfall profiles intersect, because there's nothing there for the router bit bearing to ride against. So I had to do that part by hand. To help keep everything uniform, I made this little tool out of a scrap of sheet metal, then formed the roundovers by scraping away at the corners of the legs.
Saturday, July 2, 2011
Aurora Nighstand - Oops #1
Oops. I managed to start the bandsaw cut on the wrong side of the line as I was preparing to rout the curve on the bottom of one of the aprons. Fortunately, I recognized my stupidity fairly quickly, and what could have been a big pain in the butt turned out to be just a little setback.
To recover, I used the table saw to trim off the ruined area with a straight cut parallel to the grain. Then I dug through the scrap pile for a matching piece, glued it on, and continued as if nothing had happened.
In the end, crawling insects will point and laugh at the seam (see the green arrow) on the bottom edge of the apron. Those of us with greater stature will not notice the repair.
To recover, I used the table saw to trim off the ruined area with a straight cut parallel to the grain. Then I dug through the scrap pile for a matching piece, glued it on, and continued as if nothing had happened.
In the end, crawling insects will point and laugh at the seam (see the green arrow) on the bottom edge of the apron. Those of us with greater stature will not notice the repair.
Thursday, June 30, 2011
Aurora Nightstand - Archery, Part I
I'm becoming more and more convinced that it's better to think of the router as a trimming tool than as a machine for hogging away large amounts of wood. So, whenever possible, I try to somehow cut away as much waste as possible before using the router to do whatever it has to do. I think this makes the router bits stay sharp longer, and helps to reduce chipping and tearout because the router has less material to remove.
So for each of these arched parts of the Aurora nightstand, I temporarily attached the blank to the template in order to trace an outline of the shape onto the blank. Then I removed the blank from the template and sawed as close to the outline as I could with the bandsaw. Then I reattached the blank to the template and routed the final profile in a single pass.
So for each of these arched parts of the Aurora nightstand, I temporarily attached the blank to the template in order to trace an outline of the shape onto the blank. Then I removed the blank from the template and sawed as close to the outline as I could with the bandsaw. Then I reattached the blank to the template and routed the final profile in a single pass.
Wednesday, June 29, 2011
Aurora Nightstand - Cutting Some Tenons
For the tenons on the aprons and the stretchers, I started by defining the shoulders using a regular blade on the table saw. I considered using a dado stack to do the shoulders and the cheeks in one step, but decided against it because I was too lazy to set up the dado blades. Also, I wanted to use my crosscut sled for these cuts, so that meant using a regular blade.
After cutting the tenon shoulders, I removed most of the waste with the bandsaw, then cleaned up the tenon cheeks with a horizontally mounted router.
Since the mortises were cut by hand, I couldn't count on them all being exactly the same width. So I intentionally made the tenons a little big and then trimmed them individually to fit the mortises using a block plane and a chisel. In the end, one of the joints was just a little loose. All the others went together by hand without pounding or clamping, but were tight enough to stay together by friction. I guess that's what you want.
Here's a picture of the dry fit. Suddenly it looks a lot more like a table than a pile of random parts. Gotta start wondering about the big color difference between the legs and the other parts.
After cutting the tenon shoulders, I removed most of the waste with the bandsaw, then cleaned up the tenon cheeks with a horizontally mounted router.
Since the mortises were cut by hand, I couldn't count on them all being exactly the same width. So I intentionally made the tenons a little big and then trimmed them individually to fit the mortises using a block plane and a chisel. In the end, one of the joints was just a little loose. All the others went together by hand without pounding or clamping, but were tight enough to stay together by friction. I guess that's what you want.
Here's a picture of the dry fit. Suddenly it looks a lot more like a table than a pile of random parts. Gotta start wondering about the big color difference between the legs and the other parts.
Aurora Nightstand - But First #1
You might think that "but first" has something to do with birthin' babies. But that's spelled differently. What we're discussin' here is one of those goofy situations where you want to do A, but first you have to do B, where B doesn't really contribute much to what you're trying to accomplish other than allowing you to do A. God forbid, of course, that B should have its own "but first" (C), and that C should have its own "but first" (D), and that D should have its <stack overflow>
Reset.
Fortunately, this was only a single-level "but first". What I wanted to do was cut the mortises for the little square ebony plugs that adorn the legs of the Aurora nightstand. Eight of them are supposed to be 3/16" on a side, but my smallest chisel was of the 1/4" variety.
A halfhearted search failed to locate a smaller chisel locally, and I didn't want to wait for an internet order. So I wound up buying a cheapo file at the Harbor Freight store and using a grinder to remove some material at the end that was hiding the chisel within. I then polished and sharpened it in the finest Scary Sharp tradition. It worked great for cutting the eight little mortises. How it would hold up through eighty more, I don't know.
Only one problem: I don't know whether to hang it up with my files or my chisels.
Reset.
Fortunately, this was only a single-level "but first". What I wanted to do was cut the mortises for the little square ebony plugs that adorn the legs of the Aurora nightstand. Eight of them are supposed to be 3/16" on a side, but my smallest chisel was of the 1/4" variety.
A halfhearted search failed to locate a smaller chisel locally, and I didn't want to wait for an internet order. So I wound up buying a cheapo file at the Harbor Freight store and using a grinder to remove some material at the end that was hiding the chisel within. I then polished and sharpened it in the finest Scary Sharp tradition. It worked great for cutting the eight little mortises. How it would hold up through eighty more, I don't know.
Only one problem: I don't know whether to hang it up with my files or my chisels.
Tuesday, June 14, 2011
Aurora Nightstand - Making the Legs
The order of construction given in Darrell's article made sense to me, so I started by using one of the jigs I had made earlier to make the waterfall profile on all four legs. As suggested in the article, I first used the jig to mark the profile on each leg so I could remove most of the waste using a bandsaw. Then I used a long flush trim bit to rout the exact profile.

Having never worked with African mahogany before, I wasn't quite sure what to expect when I hit it with the router. It behaved quite nicely, though. The routed surfaces were nice and smooth, and I didn't get any burning or tearout at all.
With the waterfall profiles established, I trimmed the legs to their final length, then began cutting the mortises that will eventually receive tenons on the aprons, drawer rails, and stretchers. I have never cut mortises with a router before, and I didn't want to learn how by making mistakes on this project. So I cut them by hand, using the drill and chisel method. I marked all the mortise locations using a knife (rather than a pencil), both for precision, and also to create a little groove to guide the initial chisel cuts. I then hogged out most of the waste material by drilling a series of closely-spaced holes in each mortise location, and finally cleaned up the mortise walls with bench chisels.


The mortises are all 3/8" wide. I used a 9/32" bit to drill out the waste. Next time I think I will drill slightly smaller holes, since it seemed easier to make the mortise walls vertical in places where there happened to be a little more material left to be removed with the chisel. I adjusted the width of each mortise to make it fit a 3/8" thick surrogate tenon made of mesquite.

Having never worked with African mahogany before, I wasn't quite sure what to expect when I hit it with the router. It behaved quite nicely, though. The routed surfaces were nice and smooth, and I didn't get any burning or tearout at all.
With the waterfall profiles established, I trimmed the legs to their final length, then began cutting the mortises that will eventually receive tenons on the aprons, drawer rails, and stretchers. I have never cut mortises with a router before, and I didn't want to learn how by making mistakes on this project. So I cut them by hand, using the drill and chisel method. I marked all the mortise locations using a knife (rather than a pencil), both for precision, and also to create a little groove to guide the initial chisel cuts. I then hogged out most of the waste material by drilling a series of closely-spaced holes in each mortise location, and finally cleaned up the mortise walls with bench chisels.


The mortises are all 3/8" wide. I used a 9/32" bit to drill out the waste. Next time I think I will drill slightly smaller holes, since it seemed easier to make the mortise walls vertical in places where there happened to be a little more material left to be removed with the chisel. I adjusted the width of each mortise to make it fit a 3/8" thick surrogate tenon made of mesquite.
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